This week has been an exciting one, as my latest book has now been through the formatting and layout process, signalling the next phase of getting it to market.
It is the story of a 10-year-old boy, called Mulungu and Rock Rabbit, his best friend.
Set in the Kalahari Desert in South Africa, they have fun playing together.
Rock Rabbit wonders why he is the only rabbit in the Kalahari Desert.
Mulungu explains that he is a One-Off.
The story is beautifully illustrated, enhancing the story even more.
Have I fallen in love with the book? Am I in love with what it could become?
My answer, quite simply, is yes!
At times, intuition slides in with a whisper or a feeling of deliciousness.
I believe and trust that this is a positive potential energy.
Dawyne Walker gives us his thoughts on ‘potential”
| Artists fall in love with what something could become.
We walk through reality haunted by “potential”. A musician hears the ghost of a masterpiece inside a rough demo. A filmmaker sees an entire world hidden inside a blank script. A painter sees the finished piece trapped inside the sketch on the canvas. A poet hears a sentence trying to claw its way into existence. Some people call this idealism. Naivety. Delusion. But I believe it’s one of the artist’s most powerful gift: Advanced pattern recognition. A chess master can look at a board and see twelve moves ahead. Nobody tells them they’re being naive for seeing a checkmate that hasn’t happened yet. So the player’s problem isn’t that they’re wrong. It’s that they can’t show their work in real time. The vision is only clear in retrospect. After the moves have been made. And by then everyone acts like it was obvious. An artist does the same thing… We feel the hidden shape inside things before the shape fully emerges. The problem is that seeing potential and living inside potential are two completely different things. Potential is seductive because it’s effortless to imagine. Reality is brutal because it resists change. That tension becomes the emotional life of the artist. Because once we’ve seen the ghost version of something, the current version can start to feel lifeless. We see the business our friend could build if they believed in themselves. The album someone could make if they were more honest with themselves. The relationship that could exist if two people healed. The city that could emerge if humans designed for beauty and empathy instead of efficiency and greed. The person we could become if fear stopped interrupting our instincts. And so we often spend our lives caught between grief and vision. Grief for what the world currently is. Vision for what it could become. That’s why we often love too hard. Stay too long. Obsess too deeply. Work until 4 AM on an idea. And what’s deeply misunderstood about this is that most people think artists are creating fantasy. But our pattern recognition capabilities reveal that oftentimes we’re actually detecting reality early. Human beings tend to think reality is made of solidified things. Building. People. Systems. Relationships. Institutions. But we instinctively understand that reality is actually made of “becoming”. Everything around us is in transition. Every culture is morphing. Every city is either decaying or emerging. Every human being contains parts of themselves waiting conditions to be unlocked. And unfortunately seeing this potential is not always inspiring. Sometimes it’s torture. To see beauty trapped inside reality… And lack the power, resources, time, discipline, or collective cooperation to fully bring it into existence. But every once in a while… Through enough discipline, clarity, tears, drive, belief, craft, and stubbornness… Our beautiful ghost becomes real. And in that moment, we get to see reality catch up to our imagination. Dwayne Walker
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